Avant private room album download11/10/2022 If anything, his sound hails back to the synth-splashed, psychedelic explorations of The Orb and (going further back into the canon) Tangerine Dream than anything from the usual house or techno end of the spectrum. On Where You Go I Go To, tracks sprawl to epic lengths as sonic vistas unfurl and undulate like nebulae over a 4/4 beat. He plays and lays down parts with guitar, keyboards and drums himself then brings them all together by layering these components into sweepingly panoramic soundscapes. When it comes to making electronic music, Hans-Peter Lindstrøm's working process is mostly an organic one. By year's end, the album was ranked as one of the best releases of 2008 by such publications as XLR8R, Pitchfork, and Dusted. The debut in question, Where You Go I Go Too, finally arrived via the Smalltown Supersound label this past August - meeting with unanimously glowing reviews. After the success of his tune "I Feel Space" back in 2005 and subsequent remix work for the likes or LCD Soundsystem and Franz Ferdinand, anticipation had been running high for the Norwegian electronic producer's full-length debut. It seems the work of Lindstrøm has struck a deep chord with a number of listeners. If they can harness that potential and spread it among a few more songs, good things are in store for them. For about half of that time, they were excellent. Even dropping a cover of INXS' "Devil Inside" had them on and off stage within 40 minutes. When your only release is tapped at a half-hour, your live shows tend to not be too long. He pretends to be coolly indifferent, even when it's obvious he cares a great deal. He danced somewhat awkwardly while killing time during solos, but generally appeared rather jovial. Singer Donald Cumming seemed amazed that people had actually heard of his band, even though they were in Chicago at least twice last year. "Rich Girls" and "Private Affair" highlighted the night around the midway point with the extra grit that's been a staple of New York indie rock this decade. Gone were the synths and in were another guitar (manned by an Eric Lindros lookalike) and a ton of thump. And live, those songs were far heavier and less glossy than on the record. But those few that showcase innovation have it in spades. (Though, in today's era of recognition undermining talent, maybe that doesn't matter.) It's patchy a handful of very good songs mixed in with the typical filler that'd be Cribs outtakes in another world. While I'm sure their marketing team was expecting Strokes-like hoopla, their slick debut album doesn't quite warrant it. Let's just say there was a lot of unnecessary squealing.Īt least they've got some good tunes. Had I known that they were ex-models, featured on "Gossip Girl", and making appearances at Charlotte Russe, I might not have been shocked by the audience. I thought they were just another indie rock band from New York that bloggers loved for a week. Case in point: the Virgins last night at Schubas. However, sometimes I'm not even close to the ballpark. I try to stay relatively aware of a band's standing, especially if I'm going to see them live. Review Fri Review: The Virgins Schubas, 1/29
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